Thanassi has studied at the Museum School in Boston, with 20 different painters by his count, but he says he always comes back to the same three subjects: these minimalist depictions of Herring Cove Beach, Long Point Light, and an unmoored dory, sometimes floating, sometimes beached, but always upright. “The painting exists on its own,” he says, “but it’s not as important as the feeling.” Thanassi wants people to come home from work, kick off their shoes, and look at the painting until the feeling of being at the beach comes through. To paint, Thanassi first goes to the beach to meditate.